Social Movements

Some Pre 1980 Songs Referencing LGBTQ

A not – exhaustive list of some songs before 1980 that reference LGBTQ people and issues. (*Needless to say, these should all be contextualized for their relative milieu.  Some are direct in their topic, others oblique.  These are not necessarily advocacy or activist related songs and can contain tokenizing and stereotypical characterizations.)

Gene Malin – “I’d Rather Be Spanish than Manish,” 1932

Troy Walker – “Happiness is Just a Thing Called Joe,” 1962

Van Morrison – “Madame George,” 1968

Lou Reed – “Candy Says,” 1969 

The Kinks – “Lola,” 1970

Madeline Davis – “Stonewall Nation,” 1971

David Bowie – “John, I’m Only Dancing,” 1972

Jobriath – “I’m A Man,” 1973

Chris Robinson – “Looking for a Boy Tonight,” 1973

The Miracles – “Ain’t Nobody Straight in LA,” 1975

Valentino – “I Was Born This Way,” 1975

Rod Stewart – “The Killing of Georgie,” 1976

Sylvester – “You Make Me Feel Mighty Real,” 1978

The Village People – “YMCA,” 1978

Tom Robinson – “Glad To Be Gay,” 1978

Bonus spoken word:

Rae Bourbon – “Let Me Tell You About My Operation,” 1956

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Pink Politics

In the 2016, the Trump campaign accused Hillary Clinton of lacking “stamina,” being “nasty,not looking presidential, and stated that she was unable to “satisfy” her husband, and therefore would be unable to “satisfy” America.  Though an increasing number of Americans might say they are open to voting for a female president, it is inarguable that some of the anti Clinton rhetoric was rooted in sexism.

Last Week Tonight covered the UK Labour Party’s similarly sexist tropes relied upon in 2015.  Labour defended the pink minibus campaign and continue to be critiqued for sexism from within the party.

Rise Like a Pheonix

In 2014 the Eurovision Song Contest was won by Conchita Wurst from Austria.  Conchita Wurst is the drag persona of Tom Neuwirth.  “Conchita” is Spanish slang for vulva / vagina and “Wurst” is German slang for penis.

The Eurovision Contest is known for its eccentricity and gay representations are not new, but Wurst’s performance was particularly unique.  Though wearing long, curled hair, full makeup, and a beautiful gown all culturally signifying female, she also had a full beard, a secondary sex characteristic associated with males.

The song “Rise Like a Phoenix” holds additional meaning when sung by Wurst.  The lyrics “Peering from the mirror  No, that isn’t me  Stranger getting nearer  Who can this person be  You wouldn’t know me at all today” and “Once I’m transformed  Once I’m reborn I rise up to the sky  You threw me down but I’m gonna fly  And rise like a phoenix” can all be read as referencing gender ambiguity or transformation.  Neuwirth has stated “Conchita Wurst” is his drag persona and he does not identify as transgender, though, like many drag queens, uses ‘she’ pronouns when in character.  Wurst’s genderqueer performance was attacked by the Russian Orthodox church as an “abomination” and Vladimir Putin as “aggressive” because non traditional gender identity was “put…up for show”.

In her acceptance speech, Wurst stated “This night is dedicated to everyone who believes in a future of peace and freedom.  You know who you are.  We are unity and we are unstoppable.”

Stop and Frisk

A visually beautiful summary of Broken Windows policing with art by Molly Crabapple.

Jessica Williams points out the classism and racism innate to Stop and Frisk policies.

And the story and video from The Nation eluded to in the Broken Windows video.

Commercial Activism

A Pepsi ad featuring Kendall Jenner recently made it into the news:

The ad was widely met with derision.

This is not a new phenomena.  Imagery and ideas of rebellion have been used to sell products for decades.  Sites such as Jezebel, Sociological Images, and this blog have previously looked at this issue.  Following are some additional examples: