The documentary Paris is Burning is a particularly important record of LGTQ people of color in New York in the 1980s. More specifically, the film is about the ballroom subculture, made up primarily of young, disenfranchised LGTQ POC gathering to “walk” and dance (where “voguing” comes from) in costume. The film has had a lasting impact on current vernacular, such as “shade,” “kiki,” and “realness.”
Rooted in our ideas of the American dream and meritocracy, we often judge poor people as deserving their fates. We tend to blame the individuals, stigmatizing them as lazy and gluttonous, instead of looking to structural factors. The poor are disproportionately young, female, and African American and Hispanic.
We have a lot of negative associations with bureaucracies. They can be alienating, impersonal, and dehumanizing for both workers and those being served by the bureaucracy. For being ‘rational,’ they can be quite inefficient, with ‘red tape’ and limited effectiveness when flexibility is needed. Bureaucratic ritualism is when there is such a focus on the rules and regulations to the point of undermining goals and loosing sight of the larger picture. There can also be a problem of a self perpetuating oligarchy, or the rule of many by few, concentrating power and weakening accountability.